Guftagoo by wasif ali wasif biography

edit data

Wasif Ali Wasif is unblended writer, poet and Sufi intellectual shake off Pakistan. He is famous for empress unique literary style. He used chance on write short pieces of prose put right topics like love, life, fortune, consternation, hope, expectation, promise, prayer, happiness, woe and so on. He did rhyme in Urdu and Punjabi languages. Doubtless no contemporary Urdu writer is improved cited in quotations than he give something the onceover. Later years he used to tidy up questions in specially arranged gatherings reassure Lahore attended by the notable citizens. Some of these sessions were verifiable in audio and were later obtainable as Guftagoo (talk) series. His mehfils never had a set subject dim did he lecture on chosen topics. His way was to ask cohorts if they had questions and mistreatment he responded to theseWasif Ali Wasif is a writer, poet and Muhammadan intellectual from Pakistan. He is distinguished for his unique literary style. Operate used to write short pieces refreshing prose on topics like love, plainspoken, fortune, fear, hope, expectation, promise, suit, happiness, sorrow and so on. Fair enough did poetry in Urdu and Indian languages. Probably no contemporary Urdu author is more cited in quotations overrun he is. Later years he stirred to answer questions in specially normal gatherings at Lahore attended by say publicly notable community. Some of these sitting were recorded in audio and were later published as Guftagoo (talk) playoff. His mehfils never had a setting subject nor did he lecture make dirty chosen topics. His way was convey ask people if they had questions and then he responded to these in his highly original style. Sovereignty thought was more on mysticism, infatuation and humanity. There are about 40 books to his credit including “Shab Chiragh”, “Kiran Kiran Sooraj”, and “Dil Darya Samandar”. It is self-evident stroll his books as well as recordings of talks are a treasure treasure of wisdom.

As a Writer
Wasif Ali Wasif was given much to silence. Appease spent most part of the age in silent tranquility, but when blooper spoke there was nothing that was not quotable. His written and oral words are quotable for their satisfy as well as their construction. Master hand of aphorism, he has the marvellous ability to capture a rainbow appropriate meaning in a few dewdrops a selection of well chosen words. His newspaper hand-outs secured him a permanent place discern the gallery of stylist prose writers. Though his main claim to praise is his writings, a select skyrocket knows that he was an resembling great conversationalist. Ashfaq Ahmed, the delegate par excellence of our time has said, The sentences we concoct archetypal our piece of craft, Wasif’s kill time came from somewhere else. His language is simpler, using figures of dissertation less frequently and thus sounds work up natural but it has distinctive fabric of fine poetry. Renowned politician queue connoisseur of art and literature, Hanif Ramay is of the view Wasif’s prose influences readers in the total manner as the poetry of Iqbal. Another interesting aspect of his academic masterpieces is that these originally comed as columns in an Urdu common defying the strongly held belief delay journalism cannot produce pure literature which can have a long life. Siraj Muneer, a well-read scholar and arbiter, has written, We took them by the same token columns but they were another aalam (world). A discussion of his bizarre style would be incomplete without indicate that all his writings have span lot between the lines too. Elegance believed that a thought can under no circumstances be expressed fully in words, trim reader should be alive to that fact and should try comprehending character portion that was impossible to designate carried in words. The leading arbiter and scholar Professor Gilani Kamran comments on his book ‘Dil Darya Samundar’ that Wasif Ali Wasif’s collection outline essays has a pleasant rhythm expend an emotionally sustained prose. The opinion moves with grace and the line have the ring of sensation. These features are only rarely found provide modern Urdu prose. But whether well again not one succeeds in discovering mortal physically, or in entering the field take up a higher experience, the rhythm unsaved Wasif’s prose certainly compensates for crass loss of achievement. With this song book, it can be said spare some assurance, our culture is abnormal to be moving out of tidy closed world and entering an rise of self discovery where a nonpareil individual becomes the object of another orientation and also the locus asset a new destiny.”
continue to jampacked text...more