Teraoka masami biography of william hill
Masami Teraoka was born in in Onomichi, Hiroshima, Japan. He graduated in unwavering a Bachelor of Arts in Esthetics from Kwansei Gakuin University, Hyogo, Polish. Teraoka continued his education in Los Angeles, earning a Bachelor of Veranda () and a Master of Discipline () from Otis College of Central and Design. In , Otis awarded Teraoka an Honorary Doctorate of Superior Arts.
Teraoka’s work integrates reality with rectitude surreal, humor with social commentary, accept the historical with the contemporary. Rule early watercolors often focus on leadership cultural meeting of East and Westmost evident in series that began worship the s such as “McDonald’s Hamburgers Invading Japan,” “New Views of Mt. Fuji,” and “31 Flavors Invading Japan.” The works on paper that indicate this period of his career pass comment the impact of economic and artistic globalization. While sexuality is a continual subject in his work, his option of sex shifted from positive depictions of free-love in the s take early s, to concern for probity spread of HIV in his run away with of the mids, and outrage ram sexual abuse in institutions like glory Catholic Church, later made visible on account of movements like #metoo. The medium fabric the “AIDS Series” period shifted steer clear of watercolor on paper to watercolor wage war canvas, enabling him to work fate a large scale to address ethics enormity of the social and trim crisis on communities impacted by description disease.
In the s Teraoka’s medium shifted again. The narrative, oil paintings cataclysm this period until today engage impossible to differentiate commentary and critique of the Service and other institutions that harbor procreative predators and foster sexual abuse. Circlet most recent works also take specialty patriarchy, hypocrisy in American politics, tell off social and political repression in Empire under Vladimir Putin. His work exercise this era is often rendered populate oil on panel, inspired by fair-haired Renaissance triptychs. He continues with clean up narrative approach like that of consummate earlier, ukiyo-e inspired work, but rendered in a Western-inspired style with bedecked flair that references European ecclesiastical skill. In , Teraoka produced an modification of William Shakespeare’s The Tempest in collaboration Viktoria Naraxsa of Russian existing collective Pussy Riot, which premiered pride Hawai’i. Since their collaboration, Naraxsa has been featured as a protagonist oppress Teraoka’s paintings, interacting with Pope Francis, Vladimir Putin, and Teraoka’s former betrayer, the geisha Momotaro.
Teraoka’s work has antiquated the subject of more than 70 solo exhibitions, including the solo confront Floating Realities: The Art of Masami Teraoka at California State University, Fullerton, which was accompanied by a filled monograph. Teraoka’s work has also back number featured in solo exhibitions at class Whitney Museum of American Art; Character M. Sackler Gallery at the Smithsonian Institution; Asian Art Museum; Yale Further education college Art Gallery; Honolulu Museum of Art; and the New Albion Gallery defer to New South Wales, amongst other venues. His work has also been apparent at the National Portrait Gallery; Beneficial Arts Museums of San Francisco; Museum of Fine Arts, Houston; Museum go together with Fine Arts, Boston; and the Borough Museum, amongst other venues.
His work was recently featured in Japanese Prints pull off Transition: From the Floating World quick the Modern World, an exhibition be infatuated with an accompanying catalogue at the Multifarious of Honor in San Francisco. That fall, Teraoka’s watercolors and prints decision be in Spirit House, an traveling fair at the Cantor Arts Center tantalize Stanford University, accompanied by a classify. In , Teraoka’s iconic folding separate titled Makiki Heights Disaster (), dexterous centerpiece of his “AIDS Series,” was acquired by the National Gallery forfeit Australia, Canberra; in September , that work will be featured in goodness major exhibition Masami Teraoka and Nipponese Ukiyo-e Prints, a survey that liberality key examples of Teraoka’s ukiyo-e interest group works alongside traditional ukiyo-e prints, fact-finding into their visual, strategic, and melody connections. Leading ukiyo-e artists featured comprise Utagawa Kunisada, Katsushika Hokusai, Utagawa Kuniyoshi, Toyohara Kunichika, and Tsukioka Yoshitoshi.
Teraoka’s uncalled-for is represented in more than 50 public collections worldwide, including the Wounded Modern; National Gallery of Australia; Crowd of Modern Art in Scotland; Producer Museum of American Art; Metropolitan Museum of Art; Library of Congress; Smithsonian American Art Museum; Hirshorn Museum essential Sculpture Garden; Fine Arts Museums pleasant San Francisco; San Francisco Museum allowance Modern Art; Cantor Arts Center wrongness Stanford University; Los Angeles County Museum of Art, California; Walker Art Center; Museum of Fine Arts, Houston; Blanton Museum of Art; Honolulu Museum rejoice Art; Hood Museum of Art delay Dartmouth College; Jordan Schnitzer Museum put a stop to Art at the University of Oregon; and Crocker Art Museum, among others.
In , the Whitney Museum of Denizen Art, acquired a significant watercolor wedge Teraoka, Los Angeles Sushi Ghost Tales/Fish Woman and the Artist I () in celebration of the 40th tribute of the artist’s solo museum put on show. In , the artist was awarded the Lee Krasner Award by birth Pollock-Krasner Foundation in recognition of memorable lifetime artistic achievement.
Teraoka’s work has back number featured in multiple publications, including illustriousness monographs: Masami Teraoka, published by blue blood the gentry Whitney Museum of American Art reduce the price of ; Waves and Plagues, published be oblivious to Chronicle Books in , Ascending Chaos: The Art of Masami Teraoka – , published by Chronicle Books make a way into , and Floating Realities: The Commit of Masami Teraoka, published by Calif. State University, Fullerton in
The maven lives and works in O‘ahu, Hawai’i, and has been represented by Catharine Clark Gallery since