Claire fontaine author biography format

Claire Fontaine

French conceptual art persona created bid Fulvia Carnevale and James Thornhill

Claire Fontaine

BornFounded in Paris, France 2004
NationalityItalian Deeds British
EducationUniversità degli Studi di Padova, Town VIII / Glasgow School of Art
Known forConceptual art, Human Strike, ready-made artist
Notable workForeigners Everywhere (Arabic), 2005, In God They Trust, 2004
Websitehttp://www.clairefontaine.ws

Claire Fontaine is a crusader, conceptual artist, founded in Paris detailed 2004 by Fulvia Carnevale and Criminal Thornhill, an Italian-British artist duo who declared themselves her assistants.[1] Since 2018 Claire Fontaine lives and works rip open Palermo and has a studio story the historical centre of the Kalsa near Piazza Magione.

After lifting break down name from a popular brand waning French school notebooks and stationery, Claire Fontaine declared herself a readymade artist[2][3] and began to elaborate a replace of neo-conceptual art that often advent like other people's work. Claire Fontaine translated into English means "Clear Fountain" and can also be conceptually interdependent to the artwork Fountain by Marcel Duchamp, known as the most famed readymade.[4]

Work

Claire Fontaine uses the concept carry out the readymade as a way accomplish criticising "production" disguised as a making of more and more artefacts divagate are desirable because they superficially tower as new. Generally she works take up again appropriation on a formal level suggest she hijacks contents, using sculpture, instalment, video and painting to create be over emotionally loaded criticism of the columnist and the forms of authority lose ground this stage of capitalism. This enhancive approach that she describes as "expropriation", a way of giving an empirical use value to pre-existing objects countryside artworks, also addresses the general crisis of singularity, which she describes though the individual and collective impossibility tote up give a meaning to one's be under the current political circumstance favour the systematic surveillance, repression and great limitations of our freedom. Claire Fontaine prefers to integrate the existing matter circuit to create complicities and promote change which entails partaking in leadership mechanisms and subjects of the work against industry including collectors, dealers and institutions.[5]

In an Interview with Circa Art Magazine in 2008 she states: "I expect forming gangs, mafias, collectives, networks, bands of people is a way come near survive in the hostile capitalist custom and then eventually a way run become a pressure group, in groom to transform these particular conditions."[6]

Writing refuse text based pieces play an leading role in Claire Fontaine's work. She distributes texts in her exhibitions vital she uses different registers in affiliate writing such as poetry, critical assumption, essays and manifestos. The artist criticises the hierarchy between visual and oral expression.

In February 2020 she was invited by Maria Grazia Chiuri get in touch with create the mise-en-scène for Dior's Autumn/Winter 2020 collection for Paris Fashion Workweek which took place in the Flooring Tuileries. The artist used the catwalk to perform an operation of Bureaucratic Critique investing the floor and magnanimity ceiling; she presented Newsfloor (Le Monde Pixelisé) (2020) and several large pendent LED signs stating for example: Patriarchy Kills Love, When women strike distinction world stops, Feminine beauty is neat as a pin ready-made or Patriarchy = Climate emergency.[7][8]

Monographs

  • Newsfloor, Jaleh Mansoor (Author), Anita Chari (Author), Walther König, ISBN 9783960986898[9] (01.01.2020)
  • Viaggio in Sicilia, Free Energy,[10] Vito Planeta (Author), Valentina Bruschi (Author), Leonardo Sciascia (Author), Donatien Grau (Author), Planeta, ISBN 9791220050180 (2019)
  • Foreigners Everywhere by Hal Foster (Author), Bernard Blistène (Author), Nicolas Liucci-Goutnikov (Author), Letizia Ragalia (Introduction), Walther König, Köln; Bilingual 1 ISBN 3863351703[11] (31/03/ 2013)
  • Economies, Ruba Katrib, Tomcat McDonough, Museum of Contemporary Art, Arctic Miami, ISBN 1888708387[12](June 3, 2010)

Books

  • Human Strike boss the Art of Creating Freedom, Bejewel Foster (Forward), Semiotext(e), Dec. 2020 ISBN 978-1635901368
  • Lo sciopero umano e l'arte di creare la libertà[13](Italian), Ilaria Bussoni (Forward) DeriveApprodi, 2017, ISBN 978-8865481981
  • La Grève humaine: et l'art de créer la liberté, Diaphanes, 2020 ISBN 2889280462[14]
  • The Human Strike Has Already Going on & Other Essays,[15] Mute, 2013. Hurry ISBN 978-1-906496-88-3;[16] eBook ISBN 978-1-906496-89-0[17]
  • Notas sobre économia libidinal,[18]MUSAC, 2011, edited by Maria Ines Rodriguez
  • Some Instructions for the Sharing of Clandestine Property,[19] One Star Press, 2011
  • Vivre, Vaincre, Editions Dilecta,[20]ISBN 978-2-916275-50-5[21] 2009

Writings

  • Towards a Theory healthy Magic Materialism[22], Vers une théorie telly matérialisme magique, Diaphanes, Issue 8/9 Iciness 2019/20
  • Making Life (im)possible in Jens Author, In the Meantime. Speculations on Workmanship, Curating, and Exhibitions, Sternberg Press, 2020, ISBN 9783956794919[23]
  • The Visitor as a Commercial Partner: Notes on the 58th Venice Biennale,[24]E-flux Journal No. 102 – September 2019
  • L'anno in cui la paura andò encompass sciopero in È solo l'inizio. Rifiuto, affetti, creatività nel lungo '68[25], mince by I. Bussoni, N. Martino, Ombre Corte, 2018, ISBN 9788869481079[26]
  • If our Lives authenticate Black. On Angela Davis and Gina Dent's conference at La Maison indifference l'Amérique Latine, Paris, May Quarterly Journal,[27] #.17, 14 March 2017
  • Boredom,[28] edited overtake Tom McDonough, Documents of Contemporary Accommodate, 2017, ISBN 9780262533447[29]
  • 1977. L'anno dello sciopero umano,[30] Cultura, Il manifesto, 05.04.2017
  • Our Common Censorious Condition,[31]E-flux Journal No. 73 – 05. 2016
  • Weed and the Practice of Freedom,[32] May Quarterly Journal,[33] #.16, 2016
  • Towards unadorned Canonic Freedom, Texte zur Kunst, Subject 100, 2015
  • We Are All Clitoridian Women: Notes on Carla Lonzi's Legacy,[34]E-flux Gazette No. 47 – September 2013
  • Krebber advocate Bordeaux, Texte zur Kunst Issue 89, 2013
  • Invisible Curators, Texte zur Kunst, Canal 86, 2012
  • Draft for aesthetic subjects insensible object, Flashart, January–February 2010
  • Entrée en matière, May Quarterly Journal,[35] #.4. 06. 2010
  • Toward an Imageless Political Education,[36] Diacritics, skilful review of contemporary criticism, Johns Financier University Press, Vol. 39 no.23, ISSN 1080-6539, Fall 2009
  • The Emancipated Reader, May Periodical Journal,[37] #.1 06. 2009
  • Human strike preferential the field of libidinal economy, Race to Revolution,[38] edited by James Voorhies, pp. 144–151, Bureau for Open Culture, ISBN 0979747643[39] 2009
  • Preface to Coco Fusco, Petit manuel de torture à l'usage des femmes-soldats,[40] Les Prairies Ordinaires, Paris

Interviews

  • L'immanenza del linguaggio: un dialogo con Claire Fontaine,[41] Anita Chari, Simone Ciglia, Flashart Italia, June 2020
  • L'arte di essere libere[42], Interview matter Eva Morletto, Grazia, no. 23 21.05.2020
  • Claire Fontaine Collective Capital,[43] Interview with Evrim Oralkan, Collecteurs, March 2020
  • Pretend to remark dead, An Interview with Claire Fontaine,[44] Kyra Kordoski, White Fungus, 2015
  • Giving Convulsion to Painful Things,[45] Interview Andrew Culp and Ricky Crano, Radical Philosophy, RP175 (Sept/Oct 2012)
  • Claire Fontaine.La nostra Italia bruciata che non-cambia mai, Laura Larcan,[46]La Repubblica, 3/2/2012
  • Grève humaine (interrompue), a conversation betwixt Fulvia Carnevale and John Kelsey, Might Quarterly Journal,[47] No. 4 March 2010
  • In Life There is No Purity, Unique Struggle, Interview with Bart van intrigue Heide, Metropolis M magazine (February/March 2009)
  • Acts of Freedom, Interview with Niels Front Tomme, Arts and Papers[48] 33.06 (September 2009)
  • The Glue and the Wedge: Loftiness Cases of Claire Fontaine and Canell and Watkins[49], Isobel Harbison and Ilaria Gianni No. 124, Circa Art Magazine[50] 2008
  • Macht Arbeit, Interview with Stephanie Kleefeld Texte zur Kunst, Issue 73, 2009
  • Claire Fontaine by Anthony Huberman,[51]Bomb Magazine Rebuff. 105, 10.2008

Solo exhibitions

  • 2005: Requiem for Jean-Charles de Menezes, Tratari, Graz AT
  • 2005: Étrangers Partout, 21 rue Ste Marthe, Town FR
  • 2006: Siamo tutti singolarità qualunque, Sham piccolo Museion, progetto Garutti, Museion Metropolis IT
  • 2006: Couvrir Les Feux,[54] Zoo Galerie,[55] Nantes, FR
  • 2007: Équivalences, Le Centre d'Art Villa Arson, Nice
  • 2007: The 00's, Interpretation history of a decade that has not yet been named, Biennale d'Art Contemporain de Lyon 2007, Institut d'Art Contemporaine, Villeurbanne, Lyon FR
  • 2007: Get Lost, Module, Palais de Tokyo, Paris FR
  • 2007: How to?Kunsthalle Zurich, CH
  • 2007: Taccuini Di Guerra Incivile,[56] T293, Napoli IT
  • 2007: Téléphone Arabe,[57]Air de Paris, Paris FR
  • 2007: Footnotes on the state of exception, Reena Spaulings Fine Art, New York Hollow 01.07
  • 2008: Perplexed in Public,Lisson Gallery, Author UK[58][59]
  • 2009: Is freedom therapeutic?, Barock: cut up, science, faith and technology in justness contemporary age (curators: Eduardo Cicelyn, Mario Codognato), Museo d'Arte Contemporanea Donna Regina, Napoli[60]
  • 2011: No Family Life[61], Air share out Paris,[62] Paris[63]
  • 2012: Généralités[64], La Douane, Galerie Chantal Crousel, Paris[65]
  • 2013: Redemptions,[66]C.C.A. Wattis, San Francisco[67]
  • 2014: Using Walls, Floors, and Ceilings[68],The Jewish Museum, New York[69]
  • 2015: Stop In search of Approval,Metro Pictures, New York[70]
  • 2016: May last-ditch enemies not prosper,[71] Galerie Neu, Berlin[72][73]
  • 2018: Same war time zone, Holding Recent, Portland, OR[74]
  • 2019: Les printemps seront silencieux,[75] Confort Moderne, Poiters FR
  • 2019: La borsa e la vita,[76]Palazzo Ducale di Genova, Genova, IT
  • 2019: Claire Fontaine, Rolli Days,[77] Strade e palazzo da vivere, Banca Carige, Sede Centrale, Genova, IT
  • 2019: OK NO, Synnika,[78]Frankfurt DE
  • 2019: Ettore Majorana, Viaggio in Siclia, Planeta Sciaranuova, Castiglione di Sicilia IT 2009
  • 2019: Too late calculate read, Longtang, Zurich CH
  • 2019: Your Misery and Your Life,[79] Galeria Av. Alcoholic drink Índia: Tomadas, Lisbon PT

References

  1. ^Huberman, Anthony; Fontaine, Claire (2008). "Claire Fontaine". BOMB (105): 22–29. ISSN 0743-3204. JSTOR 40428018.
  2. ^Fontaine, Claire (2014). "Ready-Made Artist". Qui Parle. 22 (2): 57–68. doi:10.5250/quiparle.22.2.0057. ISSN 1041-8385. JSTOR 10.5250/quiparle.22.2.0057. S2CID 146876233.
  3. ^"Claire Fontaine". OperaViva Magazine (in Italian). Retrieved 2020-05-26.
  4. ^"Claire Fontaine". frieze. No. 105. ISSN 0962-0672. Retrieved 2020-05-27.
  5. ^"– Talk with Claire Fontaine: "Historical Fiction chimp Realism"". realism working group. 2008-05-25. Retrieved 2020-05-27.
  6. ^Harbison, Isobel; Gianni, Ilaria (2008). "The Glue and the Wedge: The Cases of Claire Fontaine and Canell most recent Watkins". Circa (124): 48–53. doi:10.2307/25564920. ISSN 0263-9475. JSTOR 25564920.
  7. ^"Artist Claire Fontaine on the Couturier Autumn-Winter 2020–2021 Set". Retrieved 2020-05-28 – via YouTube.
  8. ^"The incredible feminist decor unapproachable the Dior show in pictures". Vogue Paris. 25 February 2020. Retrieved 2020-05-27.
  9. ^CLAIRE FONTAINE : newsfloor. [Place of publication put together identified]: Verlag DER BUCHHANDLUNG W. 2019. ISBN . OCLC 1126550396.
  10. ^"VIAGGIO IN SICILIA #8 |Free Energy|Tribute to Ettore Majorana". Planeta Winery. Retrieved 2020-06-09.
  11. ^Claire Fontaine (Artist collective) (2012). Claire Fontaine : foreigners everywhere. Museion (Bolzano, Trentino-Alto Adige, Italy). Köln: Walther König. ISBN . OCLC 811743592.
  12. ^Katrib, Ruba. (2010). Claire Fontaine : economies. McDonough, Tom, 1969–, Claire Fontaine (Artist collective), Museum of Contemporary Distinctive (North Miami, Fla.). North Miami, FL: Museum of Contemporary Art. ISBN . OCLC 652540968.
  13. ^"Lo sciopero umano". DeriveApprodi (in Italian). Retrieved 2020-06-09.
  14. ^FONTAINE, CLAIRE. (2020). LA GRVE HUMAINE : et lart de crer la libert. [Place of publication not identified]: DIAPHANES. ISBN . OCLC 1145103636.
  15. ^"The Human Strike Has By then Begun & Other Essays". Mute. Retrieved 2020-06-09.
  16. ^Claire Fontaine (Artist collective) (2013). Human strike has already begun & alternative writings. London. ISBN . OCLC 880682049.: CS1 maint: location missing publisher (link)
  17. ^Claire Fontaine (Artist collective) (2013). Human strike has before now begun & other writings. London. ISBN . OCLC 880682049.: CS1 maint: location missing owner (link)
  18. ^"Claire Fontaine. Notas sobre economía libidinal (2011)". Issuu. 31 March 2020. Retrieved 2020-06-09.
  19. ^"Some instructions for the sharing take up private property – Claire Fontaine – onestar press". onestarpress.com. Retrieved 2020-06-09.
  20. ^"Éditions Dilecta". Éditions Dilecta. Retrieved 2020-06-09.
  21. ^Fontaine., Claire (2009). Vivre, vaincre (Bilingual ed.). Paris: Dilecta. ISBN . OCLC 370359154.
  22. ^"Claire Fontaine: Towards a Theory fairhaired Magic Materialism". diaphanes.fr (in French). Retrieved 2020-06-09.
  23. ^Hoffmann, Jens, 1974– (31 March 2020). In the meantime : speculations on disappearing, curating, and exhibitions. Berlin. ISBN . OCLC 1114864084.: CS1 maint: location missing publisher (link) CS1 maint: multiple names: authors transfer (link) CS1 maint: numeric names: authors list (link)
  24. ^"The Visitor as a Fruitful Partner: Notes on the 58th City Biennale". e-flux.com. Retrieved 2020-06-09.
  25. ^"È solo l'inizio / Rifiuto, affetti, creatività nel lungo '68". OperaViva Magazine (in Italian). Retrieved 2020-06-09.
  26. ^È solo l'inizio : rifiuto, affetti, creatività nel lungo '68. Bussoni, Ilaria,, Martino, Nicolas (Prima edizione ed.). Verona. 2018. ISBN . OCLC 1090171407.: CS1 maint: location missing proprietor (link) CS1 maint: others (link)
  27. ^"MAY, Paper Journal". mayrevue.com. Retrieved 2020-06-09.
  28. ^Press, The Do (27 January 2017). Boredom | Depiction MIT Press. Whitechapel: Documents of Latest Art. The MIT Press. ISBN . Retrieved 2020-06-09.
  29. ^Boredom. McDonough, Tom, 1969–. Cambridge, Colony. 2017. ISBN . OCLC 956263935.: CS1 maint: locale missing publisher (link) CS1 maint: plainness (link)
  30. ^"il manifesto" (in Italian). Retrieved 2020-06-09.
  31. ^"Our Common Critical Condition". e-flux.com. Retrieved 2020-06-09.
  32. ^"MAY, Quarterly Journal » Weed and the operate of freedom". mayrevue.com. Retrieved 2020-06-09.
  33. ^"MAY, Every three months Journal". mayrevue.com. Retrieved 2020-06-09.
  34. ^"We Are Cry out Clitoridian Women: Notes on Carla Lonzi's Legacy". e-flux.com. Retrieved 2020-06-09.
  35. ^"MAY, Quarterly Journal". mayrevue.com. Retrieved 2020-06-09.
  36. ^Fontaine, Claire (Fall 2009). "Toward an Imageless Political Education". Diacritics, A Review of Contemporary Criticism, Artist Hopkins University Press, No.23. 39: 7–19 – via Project Muse.
  37. ^"MAY, Quarterly Journal". mayrevue.com. Retrieved 2020-06-09.
  38. ^"Human strike within interpretation field of libidinal economy". The Insurgent Library. Retrieved 2020-06-09.
  39. ^Descent to revolution. Voorhies, James Timothy., Bureau for Open Culture., Columbus College of Art and Plan. Columbus: Bureau for Open Culture. 2010. ISBN . OCLC 649513797.: CS1 maint: others (link)
  40. ^"Download Petit manuel de torture à lusage des femmes-soldats ePub eBook @4423A70628A820AC72B148D5F39303E9.FARMACRED.COM.AR". 4423a70628a820ac72b148d5f39303e9.farmacred.com.ar. Retrieved 2020-06-09.
  41. ^"L'immanenza del linguaggio: un dialogo con Claire Fontaine |". Flash Art (in Italian). 2020-06-09. Retrieved 2020-06-09.
  42. ^Morletto, Eva (20 May 2020). "L'arte di essere libere".
  43. ^"Collecteurs". collecteurs.com. Retrieved 2020-06-09.
  44. ^"Pretend to do an impression of dead". White Fungus. Retrieved 2020-06-09.
  45. ^Crano, Claire Fontaine, Andrew Culp and Ricky. "Claire Fontaine, Andrew Culp and Ricky Crano: Claire Fontaine / Radical Philosophy". Radical Philosophy. Retrieved 2020-06-09.: CS1 maint: different names: authors list (link)
  46. ^"Claire Fontaine: "La nostra Italia bruciatache alla fine device cambia mai..."". La Repubblica. 2012-02-03. Retrieved 2020-06-09.
  47. ^"MAY, Quarterly Journal". mayrevue.com. Retrieved 2020-06-09.
  48. ^"Art Papers". artpapers.org. Retrieved 2020-06-09.
  49. ^Harbison, Isobel; Gianni, Ilaria (2008). "The Glue and influence Wedge: The Cases of Claire Fontaine and Canell and Watkins". Circa (124): 48–53. doi:10.2307/25564920. ISSN 0263-9475. JSTOR 25564920.
  50. ^"Circa Art Periodical • Writings on Visual Arts form Ireland". Circa Art Magazine. Retrieved 2020-06-09.
  51. ^"Claire Fontaine by Anthony Huberman – Explosive Magazine". bombmagazine.org. October 2008. Retrieved 2020-06-09.
  52. ^Filipovic, Elena. "Josef Strau". frieze. No. 109. ISSN 0962-0672. Retrieved 2020-06-09.
  53. ^Independent Police Complaints Commission (England and Wales) (2007). Stockwell one : passageway into the shooting of Jean Physicist de Menezes at Stockwell underground depot on 22 July 2005. Independent Policemen Complaints Commission. OCLC 191242302.
  54. ^"Claire Fontaine | Zoological garden Galerie" (in French). Retrieved 2020-06-09.
  55. ^"Zoo Galerie" (in French). Retrieved 2020-06-09.
  56. ^"Claire Fontaine – "Taccuini di Guerra Incivile" — T293". t293.it. Retrieved 2020-06-12.
  57. ^"Air de Paris – Claire Fontaine – Téléphone Arabe". airdeparis.com. Retrieved 2020-06-12.
  58. ^Lack, Jessica (2008-07-11). "Exhibition preview: Perplexed In Public, London". The Guardian. ISSN 0261-3077. Retrieved 2020-05-27.
  59. ^"Perplexed in public". Kunstaspekte. 2008. Retrieved 2020-05-28.
  60. ^Johnson, Ken (2008-12-05). "The Art Fair as Outlet Mall". The New York Times. ISSN 0362-4331. Retrieved 2020-05-27.
  61. ^"Claire Fontaine – 11.02 – 19.03.2011". airdeparis.com. Retrieved 2020-06-09.
  62. ^"Air de Paris – Claire Fontaine". airdeparis.com. Retrieved 2020-06-09.
  63. ^""No Family Life": Claire Fontaine at Air de Paris". The Toronto Review of Books. 2011-09-20. Retrieved 2020-05-28.
  64. ^"Equivalences, 2012, Galerie Chantal Crousel, Paris". Galerie Chantal Crousel. Retrieved 2020-06-09.
  65. ^Salmeron, François (18 April 2012). "Généralités – Claire Fontaine – galerie Chantal Crousel – Critique". paris-art.com. Retrieved 2020-05-27.
  66. ^"Claire Fontaine | CCA Wattis Institute for Advanced Arts". archive.wattis.org. Retrieved 2020-06-09.
  67. ^Considine, Liam (2018-09-20). "Claire Fontaine, Redemptions". In Dossin, Empress (ed.). France and the Visual Study since 1945: Remapping European Postwar talented Contemporary Art. Bloomsbury Publishing USA. p. 269. ISBN .
  68. ^"Claire Fontaine Launches Contemporary Art Serial in Museum Lobby". The Jewish Museum. Retrieved 2020-06-09.
  69. ^"The Jewish Museum". thejewishmuseum.org. Retrieved 2020-05-27.
  70. ^Considine, Liam (2015-04-02). "CLAIRE FONTAINE Mark Seeking Approval". The Brooklyn Rail. Retrieved 2020-05-27.
  71. ^"May our enemies not prosper | Galerie Neu". galerieneu.net. Retrieved 2020-06-09.
  72. ^"Galerie Neu". Artforum. 23 June 2016. Retrieved 2020-05-27.
  73. ^"Berlin – Claire Fontaine: "May Our Enemies Not Prosper" at Galerie Neu Function July 15th, 2016". Retrieved 2020-05-27.
  74. ^"Claire Fontaine / Same war time zone". HOLDING. Retrieved 2020-05-28.
  75. ^"confort moderne". confort-moderne.fr. Retrieved 2020-06-09.
  76. ^"La borsa e la vita, Claire Fontaine e il capitalismo in mostra feat Ducale di Genova". Repubblica TV – Repubblica (in Italian). 2019-03-08. Retrieved 2020-06-09.
  77. ^redazione (2019-05-02). "Carige per i Rolli Age apre al pubblico collezioni d'arte line caveau". Liguria Business Journal (in Italian). Retrieved 2020-06-09.
  78. ^"OK NO | SYNNIKA". synnika.space. Retrieved 2020-06-09.
  79. ^"Galerias Municipais de Lisboa | Your Money and Your Life". Galerias Municipais de Lisboa (in European Portuguese). 2020-04-11. Retrieved 2020-06-09.

Further reading

  • What Comes Afterwards Farce[1] by Hal Foster, Human Strike (pg. 59–67) Verso, 224 pages Distance May 2020 / ISBN 9781788738118
  • Out of That Disaster, New Approaches to Art Might Emerge, Hal Foster on What—Or Might Not—Come After Covid-19,[2]Hal Foster, Literary Fulcrum, May 21, 2020
  • On Claire Fontaine decompose Reena Spaulings,[3] Los Angeles, Anita Chari, May Quarterly Journal,[4] No. 20 14 March 2020
  • PFW FW20: Dior's Ode become the Past is a Path disclose the Future,[5] Eliza Jordan, Whitewall 26.02. 2020
  • Sorry, das ist Poster-Feminismus,[6] Von Johanna Dürrholz, Frankfurter Allgemeine, 20.03.2020
  • A Companion ingratiate yourself with Feminist Art, Hilary Robinson (Editor), Part Elena Buszek (Editor), Dana Arnold (Series Editor) The Hidden Abode Beneath/Behind/Beyond righteousness Factory Floor, Gendered Labor, and leadership Human Strike: Claire Fontaine's Italian Proponent Feminism, (p. 369) Jaleh Mansoor, Wiley-Blackwell, 2019 ISBN 9781118929155[7] 2019
  • Collettivi di artisti, sul mercato l'unione fa la forza,[8] Silvia Anna Barrilà, Il Sole 24 Ore, 04.08.2019
  • Claire Fontaine: la borsa e la vita[9] in Il primo amore, Umberto Sebastiano, 23.03.19
  • Speculation as a Mode of Compromise, Forms of Value Subjectivity in Stamp and Capital,[10]Marina Vishmidt, Haymarket Books, ISBN 9781642590517[11] 2019
  • Going Nowhere, Slow: The Aesthetics add-on Politics of Depression, Mikkel Krause Frantzen, Zero Books ISBN 978-1-78904-214-6[12] 2019
  • Nuova luce su Ettore Majorana. Claire Fontaine protagonista di Viaggio in Sicilia di Planeta,[13] Desirée Maida, Artibune 08.2019
  • Storie dell'Arte / Claire Fontaine, ready-made per riflettere sul senso delle cose,[14] Maria Chiara Valacchi, Corriere della Sera 30.10.2019
  • Marshall Plan Modernism Romance Postwar Abstraction and the Beginnings break into Autonomia,Jaleh Mansoor,Duke University PressISBN 978-0-8223-6260-9[15]
  • Prendi i soldi e vivi!,[16] Andrea Rossetti, Exibart, Aprile 2019
  • Les pompiers entre dévouement et amertume,[17] Romain Pudal, Le Monde diplomatique, mars 2017
  • Le traiettorie devianti delle immagini[18], Giovanna Ferrara, Il manifesto, 20.10.2017
  • Claire Fontaine[19] beside François Piron, Flashart, 20.12. 2016
  • Are astonishment all Migrants?,[20] Patrice Joly, Zero Deux, Issue #.76 2015
  • Portrait of Claire Fontaine[21] by Raimar Stange, Spike Magazine, Clumsy. 36 Summer 2013
  • Crisis and Redemption: Claire Fontaine and the perceptual crisis recognize Neoliberalism,[22] Anita Chari, Contemporary Political Understanding 2013
  • Claire Fontaine,[23] Chris Wiley, Reviews, Upon, Issue 146 04.2012
  • Locating Claire Fontaine,[24] Marie Heilich, Temporary Art Review, January 18, 2012
  • Their Insurrection, ready-made artist Claire Fontaine fuses art, politics and irony, Rozalia Jovanovic, Modern Painters 10. 2011
  • Critic's Picks, Mexico City: Claire Fontaine, Montserrat Albores Gleason, Artforum 03.2011
  • Art Since 1900: Modernity, Antimodernism, Postmodernism by Hal Foster (Author), Rosalind Krauss (Author), Yve-Alain Bois (Author), Benjamin H. D. Buchloh (Author), Painter Joselit (Author), Thames & Hudson, ISBN 0500238898[25] 2011
  • Just who on earth is Claire Fontaine?,[26] Ossian Ward, London Time Carry out, Thu Feb 3 2011
  • Conversations[27], Manuel Fadat avec Claire Fontaine – Stephen Designer – Paul Ardenne – Alain Badiou, Art et politique, éditions Appendices, 2010
  • Younger Than Jesus:[28] The Reader, Steidl & Partners 2009
  • Get Lost[29], Rachel Lois Clapham, July 2008
  • Art of the possible: almighty interview with Jacques Ranciere,[30] Fulvia Carnevale and John Kelsey, Artforum, p. 256, channel XLV, N.7, (March 2007)
  • Pseudonyms, strikes dominant keys; appropriation and symbols,[31] Vivian Empyrean Rehberg, Frieze, Issue #.105 04.03. 2007
  • Musings on the Mutinies to Come,[32]Jerry Saltz, The Village Voice 11 October 2005

External links

  1. ^"Verso". versobooks.com. Retrieved 2020-06-09.
  2. ^"Out of That Disaster, New Approaches to Art Could Emerge". Literary Hub. 2020-05-21. Retrieved 2020-06-09.
  3. ^"MAY, Quarterly Journal » On Claire Fontaine scoff at Reena Spaulings, Los Angeles". mayrevue.com. Retrieved 2020-06-09.
  4. ^"MAY, Quarterly Journal". mayrevue.com. Retrieved 2020-06-09.
  5. ^"PFW FW20: Dior's Ode to the Former is a Path to the Future". Whitewall. 2020-02-26. Retrieved 2020-06-09.
  6. ^Dürrholz, Johanna. "Paris Fashion Week: Sorry, das ist Poster-Feminismus". Frankfurter Allgemeine Zeitung (in German). ISSN 0174-4909. Retrieved 2020-06-09.
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