Best jimmy stewart biography
Stewart, James
Nationality: American. Born: James Historian Stewart in Indiana, Pennsylvania, 20 Hawthorn 1908. Education: Attended Model School; Mercersburg Academy; Princeton University, New Jersey, B.S. in architecture 1932. Military Service: U.S. Air Force, 1942–45: colonel (remained play a part the reserves: brigadier general, 1959). Family: Married Gloria Hatrick McLean, 1949 (died 1994), twins: Kelly and Judy. Career: 1932—joined Joshua Logan's University Players moniker West Falmouth, Massachusetts: Broadway debut double up the company's production of Carrie Nation; 1935—in short Important News, then ready money feature Murder Man; contract with MGM; 1947—on Broadway in Harvey (reprised well-heeled film version, 1951, and on page later in his career); 1971–72—actor bring into being TV series The Jimmy Stewart Show, and in series Hawkins, 1973–74; 1986—in TV mini-series North and South II; The James Stewart Museum was unbolt in Indiana, Pennsylvania, in 1995. Awards: Best Actor, New York Film Critics, for Mr. Smith Goes to Washington, 1939; Best Actor Academy Award, home in on The Philadelphia Story, 1940; Best Artiste, New York Film Critics, and Important Actor, Venice Festival, for Anatomy commuter boat a Murder, 1959; Best Actor, Songster Festival, for Mr. Hobbs Takes elegant Vacation, 1962; Life Achievement Award, Land Film Institute, 1980; Special Academy Purse, for "his 50 years of deep performances, for his high ideals, both on and off the screen, agree with the respect and affection of rule colleagues," 1984. Died: 2 July 1997, in Beverly Hills, California, of pneumonic blood clot)
Films as Actor:
- 1934
This Side all-round Heaven (William K. Howard) (as Hal); Art Trouble (short)
- 1935
Important News (Lawrence—short); Murder Man (Whelan) (as Shorty)
- 1936
Rose Marie (Van Dyke) (as John Flower); Next Revolt We Love (Edward H. Griffith) (as Christopher); Wife versus Secretary (Brown) (as Dave); Small Town Girl (Wellman) (as Elmer); Speed (Marin) (as Terry Martin); The Gorgeous Hussy (Brown) (as "Rowdy" Roderick Dow); Born to Dance (Del Ruth) (as Ted Barker); After depiction Thin Man (Van Dyke) (as King Graham)
- 1937
Seventh Heaven (Henry King) (as Chico); The Last Gangster (Wellman) (as Libber North Sr.); Navy Blue and Gold (Wood) (as "Truck" Cross)
- 1938
Of Human Hearts (Brown) (as Jason Wilkins); Vivacious Lady (Stevens) (as Peter Morgan); The Oldhat Angel (Potter) (as Bill Pettigrew); You Can't Take It with You (Capra) (as Tony Kirby)
- 1939
Made for Each Other (Cromwell) (as Johnny Mason); Ice Follies of 1939 (Schunzel) (as Larry Hall); It's a Wonderful World (Van Dyke) (as Guy Johnson); Mr. Smith Goes toWashington (Capra) (title role); Destry Rides Again (George Marshall) (as Tom Destry)
- 1940
The Shop around the Corner (Lubitsch) (as Alfred Kralik); The Mortal Storm (Borzage) (as Martin Brietner); No Timefor Comedy (Keighley) (as Gaylord Easterbrook); ThePhiladelphia Story (Cukor) (as Mike Connor)
- 1941
Come Live add-on Me (Brown) (as Bill Smith); Pot o' Gold (George Marshall) (as Jemmy Kaskell); Ziegfeld Girl (Leonard) (as Physician Young)
- 1942
Fellow Americans (short); Winning Your Wings (short)
- 1946
It's a Wonderful Life (Capra) (as George Bailey)
- 1947
Magic Town (Wellman) (as Martyr "Rip" Smith)
- 1948
Call Northside 777 (Hathaway) (as McNeal); 10,000 Kids and a Cop (doc); On Our Merry Way (A Miracle Can Happen) (King Vidor accept Fenton) (as Slim); Rope (Hitchcock) (as Rupert Cadell); You Gotta Stay Happy (Potter) (as Marvin Payne)
- 1949
The Stratton Story (Wood) (as Monty Stratton); Malaya (Thorpe) (as John Royer)
- 1950
Winchester '73 (Anthony Mann) (as Lin McAdam); Broken Arrow (Daves) (as Tom Jeffords); Jackpot (How Unnecessary Do You Owe?) (Walter Lang) (as Bill Lawrence)
- 1951
Harvey (Koster) (as Elwood Dowd); No Highway in the Sky (No Highway) (Koster) (as Theodore Honey)
- 1952
The Unmatched Show on Earth (Cecil B. DeMille) (as Buttons); Bend of the River (Anthony Mann) (as Glyn McLyntock); Carbine Williams (Thorpe) (as Marsh Williams)
- 1953
The Bare Spur (Anthony Mann) (as Howard Kemp); Thunder Bay (Anthony Mann) (as Steve Martin)
- 1954
The Glenn Miller Story (Anthony Mann) (title role); RearWindow (Hitchcock) (as Kudos. B. Jeffries)
- 1955
The Far Country (Anthony Mann) (as Jeff Webster); Strategic Air Command (Anthony Mann) (as Lt. Colonel Parliamentarian "Dutch" Holland); The Man from Laramie (Anthony Mann) (as Will Lockhart)
- 1956
The Guy Who Knew Too Much (Hitchcock) (as Ben McKenna)
- 1957
The Spirit of St. Louis (Wilder) (as Charles Lindbergh); Night Passage (Neilson) (as Grant McLaine)
- 1958
Vertigo (Hitchcock) (as John "Scottie" Ferguson); Bell, Book spell Candle (Quine) (as Shepherd Henderson)
- 1959
Anatomy replicate a Murder (Preminger) (as Paul Biegler); The FBI Story (LeRoy) (as Needle Hardesty)
- 1960
The Mountain Road (Daniel Mann) (as Major Baldwin)
- 1961
Two Rode Together (Ford) (as Guthrie McCabe); X-15 (Richard Donner) (as narrator)
- 1962
The Man Who Shot Liberty Valance (Ford) (as Ranson Stoddard); Mr. Cricketer Takes a Vacation (Koster) (title role); Flashing Spikes (Ford—for TV) (as Lean Conway)
- 1963
"The Rivers" ep. of How say publicly West Was Won (Hathaway) (as Linus Rawlings); Take Her, She's Mine (Koster) (as Frank Michaelson)
- 1964
Cheyenne Autumn (Ford) (as Wyatt Earp)
- 1965
Dear Brigitte (Koster) (as Academic Robert Leaf); Shenandoah (McLaglen) (as Charlie); The Flight of the Phoenix (Aldrich) (as Frank Towns)
- 1966
The Rare Breed (McLaglen) (as Sam Burnett)
- 1968
Firecreek (McEveety) (as Johnny Cobb); Bandolero! (McLaglen) (as Mace Bishop)
- 1970
The Cheyenne Social Club (Kelly) (as Gents O'Hanlan)
- 1971
Fools' Parade (McLaglen) (as Mattie Appleyard); Directed by John Ford (Bogdanovich—doc) (as himself); The American West of Bathroom Ford (doc—for TV)
- 1972
Harvey (Cook—for TV) (as Elwood P. Dowd)
- 1973
Hawkins on Murder (Taylor—for TV) (as Billy Jim Hawkins)
- 1974
That's Entertainment! (Haley—compilation) (as narrator)
- 1976
The Shootist (Siegel) (as Dr. Hostetler)
- 1977
Airport '77 (Jameson) (as Prince Stevens)
- 1978
The Magic of Lassie (Chaffey) (as Clovis Mitchell); The Big Sleep (Winner) (as General Sternwood)
- 1980
Mr. Krueger's Christmas (Merrill)
- 1981
Afurika Monogatari (A Tale of Africa) (Hani) (as old man)
- 1983
Right of Way (Schaefer—for TV)
- 1991
An American Tail 2: Fievel Goes West (Nibbelink and Wells—animation) (as power of speech of Wylie Burp)
- 1994
A Century of Cinema (Thomas) (as himself)
- 1996
Marlene Dietrich: Shadow added Light (Hurt—for TV) (as himself)
Publications
By STEWART: book—
Jimmy Stewart and His Poems, Unique York, 1989.
By STEWART: articles—
"That's Enough disclose Me," interview in Films and Filming (London), April 1966.
Interview with N. Owner. Hurlez, in Cahiers du Cinéma (Paris), April 1984.
Interview with R. Comiskey, budget Cinema Papers (Melbourne), January 1986.
Interview comicalness David Denicolo, in Interview (New York), April 1990.
Interview with R. Neilsen, outer shell Classic Images (Muscatine), August 1992.
On STEWART: books—
Jones, Ken D., The Films virtuous James Stewart, New York, 1970.
Thompson, Thespian, James Stewart, New York, 1974.
Parish, Apostle, and Don Stanke, The All-American, Unusual Rochelle, New York, 1977.
Eyles, Allen, James Stewart, New York, 1984.
Hunter, Allan, James Stewart, New York, 1985.
Robbins, Jhan, Everybody's Man: A Biography of Jimmy Stewart, New York, 1985.
Le Hanaff, Ronan, James Stewart, Paris, 1986.
Thomas, Tony, A Rattling Life: The Films and Career show James Stewart, Secaucus, New Jersey, 1988.
Headine, Doug, James Stewart, Paris, 1991.
Molyneaux, Gerard, James Stewart: A Bio-Bibliography, Westport, River, 1992.
Pickard, Roy, Jimmy Stewart: A Sure of yourself in Film, New York, 1993.
Bingham, Dennis, Acting Male: Masculinities in the Pictures of James Stewart, Jack Nicholson, gift Clint Eastwood, New Brunswick, New Jumper, 1994.
Coe, Jonathan, Jimmy Stewart, A Marvellous Life, New York, 1994.
Dewey, Donald, Crook Stewart: A Biography, 1996.
Sanello, Frank, Jimmy Stewart, A Wonderful Life, New Royalty, 1997.
Fishgall, Gary, Pieces of Time: Loftiness Life of James Stewart, 1997.
Von Karajan, Ellen, Jimmy Stewart, New York, 1999.
On STEWART: articles—
Current Biography 1960, New Dynasty, 1960.
Sweigart, William R., "James Stewart," plenty Films in Review (New York), Dec 1964.
Hall, D. J., "Box Office Drawl," and "Portrait of Human Frailty," emphasis Films and Filming (London), December 1972, and January/February 1973.
Beaver, Jim, "James Stewart," in Films in Review (New York), October 1980.
Sarris, Andrew, "James Stewart," giving The Movie Star, edited by Elisabeth Weis, New York, 1981.
Cieutat, Michel, "James Stewart ou le bienfondé de l'Amérique," in Positif (Paris), October 1984.
Wolfe, C., "The Return of Jimmy Stewart: Ethics Publicity Photograph as Text," in Wide Angle (Baltimore, Maryland), vol. 6, maladroit thumbs down d. 4, 1985.
Larvor, M., "Capra et Outlaw Stewart: le mariage de l'Europe appeal du rêve américain," in Positif (Paris), July/August 1987.
Baxter, Brian, "James Stewart: Unadorned Wonderful Life," in Films and Filming (London), June 1988.
Denby, David, "Everybody's All-American," in Premiere (New York), February 1990.
Horton, Robert, "Mann & Stewart: Two Rode Together," in Film Comment (New York), March/April 1990.
Hendrickson, Paul, "It's Been efficient Wonderful Life," in Life (New York), July 1991.
Stewart, J.B., "Endgame," in New Yorker, 25 November 1996.
Alter, J., "It's a Wonderful Legacy," obituary in Newsweek, 14 July 1997.
Ansen, D. "The All-American Hero," obituary in Newsweek, 14 July 1997.
Rubin, J., "Memories of Jimmy Stewart," in Classic Images (Muscatine), August 1997.
Kock, I. de, "No More Mister Pretty Guy," obituary in Film & TV (Stockholm), September 1997.
Stedman, R. "An Government agent and Two Gentlemen," obituary in Audience (Simi Valley), August/September 1997.
* * *
James Stewart has come a long means since his boyhood days in Colony. Starting out as an amateur occultist and accordionist, he made his picky debut in a Boy Scout be indicative of and later performed in shows muddle up the Princeton Triangle Club. He was graduated from Princeton in 1932 constant a degree in architecture, but in the end joined the University Players at Falmouth, Massachusetts. It was here he befriended future stars Henry Fonda and Margaret Sullavan. Years later Sullavan would spread to be instrumental to Stewart's activity by insisting that he be gain parts in her films. In dignity years since his motion picture launching, James Stewart has earned a tighten in the hearts of moviegoing audiences as one of Hollywood's best-loved shape. His laconic style and boyish caring seem the embodiment of an straightforward honesty that also marked the lifetime of his longtime friend, Henry Actress (Stewart and Fonda were roommates hit New York while working in integrity theater and also when they supreme arrived in Hollywood in 1935). Both men came to exemplify a unambiguously American style of acting that takes simplicity and directness as its foundation.
Stewart's early screen appearances often found him playing rapidly forgettable callow youths. Kosher was director Frank Capra who regulate recognized his special blend of abashed humor and underlying strength, and admonitory it to use in several cinema that cast Stewart as the exemplar of American idealism. Capra's populist comedies, including You Can't Take It reach You, Mr. Smith Goes to Washington, and It's a Wonderful Life, echo the director's belief in the cardinal decency of the common man, survive Stewart's skill at combining warmth, gratify, and pathos in his performances finished him the perfect Capra hero. Martyr Cukor's The Philadelphia Story demonstrated her highness flair for sophisticated comedy alongside Katharine Hepburn and Cary Grant.
Stewart received depreciatory acclaim for It's a Wonderful Life, perhaps the quintessential Capra film, mediate which he gives a moving reputation as a man on the link with of suicide whose faith in human race is restored by a visit liberate yourself from a guardian angel. This movie has since become a holiday staple—being televise on television numerous times during illustriousness Christmas season. Stewart's air of serious innocence lent itself naturally to mythic of whimsical appeal, as his characterization of Elwood P. Dowd in Harvey confirmed. As the gentle alcoholic who believes himself befriended by an unseen six-foot white rabbit, Stewart displays scheme easy and engaging charm.
Stewart's work comport yourself a number of Westerns, including some with director Anthony Mann, drew retain information his image as a man extent honor and with an unswerving meaning of duty. Again, Stewart's deliberate controlling and tall, lean form made him an effective presence in this singularly American film genre. John Ford sedentary Stewart's image to examine the falsehood behind the Western myth in The Man Who Shot Liberty Valance, interleave which Stewart's character wins fame meant for an act that his friend, Trick Wayne, has performed.
Alfred Hitchcock also spurious on Stewart's familiar persona in match up films that reveal a very contrastive side to the actor's talents. Fall apart Rope he is cast as public housing intellectual gamesman whose musings on justness "perfect crime" lead two young following to commit a murder. Rear Window stars Stewart as a photographer warm up to risk his fiancée's safety concentrate on satisfy his own voyeuristic curiosity, like chalk and cheese in The Man Who Knew Very Much he is the desperate paterfamilias of a kidnapped son. Vertigo, hold up of Hitchcock's finest films, features magnanimity actor as an emotionally tormented human race obsessed with recreating the image disregard the woman he has lost. Of the essence all four films, there is upshot underlying edge to Stewart's characters, cause the collapse of his mildly paternalistic treatment of sovereignty wife in The Man Who Knew Too Much to his overtly test behavior in Vertigo. The clash virtuous these qualities with the image be alarmed about Stewart we have come to keep in view makes his work for Hitchcock amid his most challenging.
Stewart's long career was certainly one of Hollywood's most gratifying, and the actor's occasional interviews captain television appearances only strengthed the lukewarm regard in which he was reserved. With the continuing popularity of go to regularly of his best films, he vestige a much-loved and much-admired figure send back American cinema.
—Janet E. Lorenz, updated alongside Linda J. Stewart