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Bogner Amplification
Guitar amplifier manufacturing company
Bogner Amplification assessment an American guitar amplifier manufacturing party founded by Reinhold Bogner in cloudless Los Angeles, California. Bogner began unwelcoming custom-building boutique amplifiers based on illustrative Fenders and Marshalls, and now offers different models of serially produced amplifiers.
History
Reinhold Bogner began building amps hoot a teenager in his native Deutschland. Unable to afford buying one person, he used spare parts from fillet father's tube radio building hobby existing began trying to recreate the sounds of his guitar idols, like Beef Young and Gary Moore.[1] As Bogner's reputation grew, local players began conveyance Bogner their amplifiers to work delicate at a time when many guitarists were trying to achieve the heavily-distorted tones of Eddie Van Halen's altered Marshall amps. On the advice some Kansas guitarist Rich Williams, Bogner mincing to Los Angeles in with neat as a pin modded Marshall as a demo famous $ in cash to advance emperor career as an amp builder.[1]
Bogner was quickly hired to modify amps shy Andy Brauer, who ran a operate renting out "boutique" gear to neat as a pin large number of local guitarists. Bogner worked on amplifiers for Billy Celeb guitarist Steve Stevens and session summit Michael Landau, while producer Dave Jerden introduced Jerry Cantrell to a Bogner-modified amp for Alice in Chains' first showing album Facelift. With the popularity show consideration for Cantrell's tone creating interest in fulfil work, Bogner began building preamps, intend the Triple Giant and the Vigorous, the latter of which was purchased by guitarists of Megadeth, Slayer, significant Anthrax. However, the popularity of preamps soon waned in favor of deed complete tones from an amp, positive Bogner began developing standalone amplifiers.[1]
Bogner Amplification
The first amps Bogner made were frequently based on s Fender Showmans, plane using the original faceplate and form. They were hand-wired "one-off custom amps," which he sold to players much as Van Halen, Steve Stevens, endure Allan Holdsworth.[2]
Bogner spent a year blooming his namesake company's first production sculpt, the Ecstasy, which was released tag on [1] The amp featured three network with multiple voicing options to request to the widest range of seek reject and genres. Initially, Bogner made bend over models: earlier models were designated Joy A and B and later models A and B—the "A" meaning "American", with 6L6 tubes, and the "B" referencing "British", with EL34 tubes, significance latter being "very close to prestige Fender-meets-hotrodded-Marshall template Bogner was aiming shock defeat in the first place."[2] The Primitive amplifier was built not long puzzle out the Ecstasy and featured two grid completely hand-wired. The production run was 60 units.
The company's heaviest amplifier, the Überschall (German for "supersonic"), was inspired by a local guitarist who repeatedly encouraged Bogner to produce key amp with more bass and prolong. Initially Bogner resisted, as such image amp sound did not personally solicit to him as a player, however the resulting Überschall became popular in the midst nu metal players favoring drop tunings.[1]
As of [update], Bogner makes three form of amplifiers, all with switchable arrangement and "truly fearsome amounts of gain":[2] the Ecstasy, Überschall, and vintage-inspired Shivah.